A double dose of surreal surprises.
In the first play, Heart’s Desire, two parents nervously await the arrival of their daughter from Australia. The scene is endlessly repeated with variations both hilarious and shocking: with each ring of the doorbell, Churchill pulls off a surreal surprise.
The second play, Blue Kettle, deals with a reunion of parents and children. Derek poses as the lost biological son of four different women: here Churchill combines experimental techniques with a startling vision of the fragility of family life.
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At the Barn we are committed to promoting equality and challenging discrimination in all its forms. We strive to create a safe and inclusive environment for all members of the cast and creative team, regardless of their race, ethnicity, disability, sexual orientation or gender identity and will work to prevent any form of discrimination or harassment within our organisation.
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